Compagnie Albertine
Lausanne music school Compagnie Albertine are happy with their FEURICH 122 upright pianos as they keep tune and perform exceptionally well.
Lausanne music school Compagnie Albertine are happy with their FEURICH 122 upright pianos as they keep tune and perform exceptionally well.
French blues pianist Ben Toury found FEURICH pianos to be high quality instruments with versatile sound ideal for perfecting your music style.
“The FEURICH 218 has marked a revolution in my musical creations. The sonic nuances, the harmonic richness, and its dynamic range guide me and help considerably when composing.”
Preview: AN IMPOSSIBLE PROJECT – an all-analogue documentary featuring Haley Reinhart, Sascha Peres and his Orchestra, and a FEURICH 218.
“It has the sound of the past and the future both at the same time, in the present”, says classical Pianist Anna Serret Almenara about the FEURICH 218 – Concert I with Pédal Harmonique.
Filmmaker and composer Sebastian Voltmer wrote most of the music for his new movie JOMI using his white and chrome FEURICH 115 – Premiere.
New chamber music festival “The Unbeaten Path” in Bulgaria: FEURICH Grand Piano 179 – Dynamic II “a dream come true” for organizer Lora Tchekoratova.
Our FEURICH 179 – Dynamic II even impresses concert pianists with its quality. Vikram Rajan agrees entirely.
Free Jazz icon Matthew Shipp played on our FEURICH 218 – Concert I at a concert in Vienna: “This piano really gives you a kick – it’s like a horse, you hit it and it comes back at you.”
Our concert grand FEURICH 218 – Concert I is ideal for medium-sized concert halls. Alejandro Geberovich puts it through its paces…