French blues pianist Ben Toury found FEURICH pianos to be high quality instruments with versatile sound ideal for perfecting your music style.
“The FEURICH 218 has marked a revolution in my musical creations. The sonic nuances, the harmonic richness, and its dynamic range guide me and help considerably when composing.”
Preview: AN IMPOSSIBLE PROJECT – an all-analogue documentary featuring Haley Reinhart, Sascha Peres and his Orchestra, and a FEURICH 218.
“It has the sound of the past and the future both at the same time, in the present”, says classical Pianist Anna Serret Almenara about the FEURICH 218 – Concert I with Pédal Harmonique.
Filmmaker and composer Sebastian Voltmer wrote most of the music for his new movie JOMI using his white and chrome FEURICH 115 – Premiere.
New chamber music festival “The Unbeaten Path” in Bulgaria: FEURICH Grand Piano 179 – Dynamic II “a dream come true” for organizer Lora Tchekoratova.
Jesper Munk prefers FEURICH 123 – Vienna over digital stage piano for a live recording session at Supersense.
Our FEURICH 179 – Dynamic II even impresses concert pianists with its quality. Vikram Rajan agrees entirely.
Free Jazz icon Matthew Shipp played on our FEURICH 218 – Concert I at a concert in Vienna: “This piano really gives you a kick – it’s like a horse, you hit it and it comes back at you.”
Our concert grand FEURICH 218 – Concert I is ideal for medium-sized concert halls. Alejandro Geberovich puts it through its paces…